PRINCETON RESEARCH FORUM
|
PRINCETON RESEARCH FORUM |
||
|
|||
Photos: PRF President Mary Beth Lewis welcoming delegates to the 2006 NCIS convention in Princeton; the conference book table; both courtesy of David Sonenschein. Projects and Publications BIBLIOGRAPHY OF WORKS BY CURRENT MEMBERS Compiled by Patricia Marks, Ann Morgan, and Mary Beth LewIs AGAWU, CHRISTIANA. “The Making of Colonies: Formal Steps towards Occupying Africa.” Ph.D. diss., Cornell University, 1995. BARNUM, PRISCILLA HEATH, ed. Dives and Pauper. London, New York: Published for the Early English Text Society by Oxford University Press, 1976. BENSON, FRANCESCA. “Women’s Spirituality II: An Alternative to Organized Religion.” In Our Vision and Values: Women Shaping the 21st Century, ed. Frances C. Hutner. Westport, Conn.: Praeger, 1994. . BODANSZKY, EVA. “Moral Realism and Other Issues.” Ph.D. diss., University of Massachusetts at Amherst, 1988. _____. “Parfit on Selves and Their Interests.” Analysis 47 (January 1987): 47-50. _____, and Earl Conee. “Isolating Intrisic Value.” Analysis 41 (January 1981): 51-53. BOUSSALAH, ZAHRA. Theory of Civilization: A Comparative Study of Ibn Khaldun and Malek Bennabi. Master’s thesis, Hartford Seminary, 2005. CAGAN, ANITA P. “Sons and Misogynists: A Study of the Protagonists in Saul Bellow’s Novels.” Ph.D. diss., New York University, 1983. CAREY, TONI VOGEL. “John Herschel, ‘Independent Amateur’.” The Independent Scholar 19,1 (2005): 2-5. _____. “Why Philosophy Matters, or Just Say ‘If'’.” The Independent Scholar 17,1 (2003): 12-13. _____. “The Noble Legacy (and Present Eclipse) of Independent Scholarship.” The Independent Scholar 14,1 (2000): 8-13. _____.“What Conflict-of-Duty is Not.” Pacific Philosophical Quarterly 66 (1985): 204-15. _____. “Contrary-to-Duty Justification.” Philosophical Studies 36 (1979): 1-18. _____. “Institutional Versus Moral Obligations.” The Journal of Philosophy 74 (October 1977): 587-589. _____.“How to Confuse Commitment with Obligation.” The Journal of Philosophy 72 (May 1975): 276-284. CONRATH, JACQUELINE. “Within the Family: The Politics of Family Life Spanning Four Generations, and Immigration from India to America.” Ph.D. diss., Rutgers, The State University of New Jersey, 1993. CRAIG, ROBERT W. The Report of the Princeton Architectural Survey. Prepared for the Princeton Joint Historic Sites Commission by Robert W. Craig, with the assistance of Donna Ann Harris, Mary Joan Simmons; Constance M. Greiff, project director, 1981. _____. “Recognizing a New Genre: The Large-Scale, Local Map of the Mid-19th Century.” Portolan, (Winter 2003–2004): 22–31. _____.“‘The Face of the Country’: Overlooked Local Maps of Nineteenth-Century New Jersey.” New Jersey History 120, 3–4 (2002): 46–86. DUBROVSKY, GERTRUDE WISHNICK. Six from Leipzig. London; Portland, Oregon: Vallentine Mitchell, 2004. _____. The Land Was Theirs: Jewish Farmers in the Garden State. Tuscaloosa: University of Alabama Press, 1992. _____. “Jews in Princeton.” Princeton History 6 (1987). _____, trans. I.J. Schwartz, Kentucky. Tuscaloosa: University of Alabama Press, 1990. ERLICH, GLORIA C. The Sexual Education of Edith Wharton. Berkeley: University of California Press, 1992. _____. Family Themes and Hawthorne’s Fiction: The Tenacious Web. 1984. 2d. ed. New Brunswick, N.J.: Rutgers University Press, 1986. Winner of The House of the Seven Gables Hawthorne Award, 1985, and The Modern Language Association Prize for Independent Scholars, 1985. _____. “The Sexual Education of Edith Wharton.” Literature and Psychology 36 (1990): 26-49. _____. “Interpreting Hawthorne: Subjectivity in Biography.” Biography 12 (1989): 127-49. _____. “Doctor Grimshawe and Other Secrets.” Essex Institute Historical Collections 118 (1982): 49-58. _____. “Hawthorne and the Mannings.” Studies in the American Renaissance (1980): 97-117. _____. “Race and Incest in Mann’s ‘Blood of the Wa1sungs’.” Studies in Twentieth Century Literature 2 (1978): 113-126. _____. “Who Wrote Hawthorne’s First Diary?.” The Nathaniel Hawthorne Journal (1977): 37-71. _____. “Guilt and Expiation in ‘Roger Malvin’s Burial’.” Nineteenth-Century Fiction 26 (1972): 377-89. _____.“Deadly Innocence: Hawthorne’s Dark Women.” The New England Quarterly 41 (1968): 163-79. ETTINGHAUSEN, ELIZABETH S. “Ernst Herzfeld: Reminiscences and Revelations.” In Ernst Herzfeld and the Development of Near Eastern Studies, 1900–1950, ed. A.C. Gunter and S. R. Hauser. Leiden and Boston: Brill, 2005. _____. “Hidden Messages and Meanings: The Case of The Infant Witness Testifies to Yusuf’s Innocence.” Ars Orientalis 29 (1999). _____. “Woven in Stone and Brick: Decorative Programs in Seljuk and Post-Seljuk Architecture and Their Symbolic Value.” Art Turc/Turkish Art, 10e Congrès international d’art turc, Genève, 1999. FRISCH, SHELLEY. The Lure of the Linguistic. New York: Holmes & Meier, 2004. _____. “Dürrenmatt’s Die Physiker.” Literary works entry for the Encyclopedia of German Literature. Chicago: Fitzroy Dearborn, 2000. _____. “Klaus Mann.” Biographical entry for the Encyclopedia of German Literature. Chicago: Fitzroy Dearborn, 2000. _____. “Erika Mann.” Biographical entry for American National Biography. New York: Oxford University Press, 1999. _____. “Klaus Mann.” Biographical entry for American National Biography. New York: Oxford University Press, 1999. _____. “Thomas Mann.” Biographical entry for American National Biography. New York: Oxford University Press, 1999. _____. “Vansittartism and the ‘Other Germany’: The Shape of a Debate in Exile.” In Jaarboek van het Rijksinstituut voor Oorlogsdocumentatie. Zutphen: Walburg Pers, 1994. _____. “The Turning Down of The Turning Point: The Politics of Non-Reception of Exile Literature in the Adenauer Era.” In Die Resonanz des Exils. Gelungene und mißlungene Rezeption deutscher Exilautoren, ed. Dieter Sevin. Amsterdam and Atlanta, Ga.: Rodopi, 1992. _____. “The Pfeffermühle: Political Dimensions of a Literary Cabaret.” In Exile Literature and the Other Arts. Bonn: Bouvier, 1990. _____.“‘Alien Homeland’: Erika Mann and the Adenauer Era.” Germanic Review, Special Issue on Literature and Culture of the Adenauer Era, ed. Alexander Stephan, 63, 4 (1988). _____. “The Americanization of Klaus Mann.” In Exile Across Cultures, ed. Helmut F. Pfanner. Bonn: Bouvier, 1986. _____. “Poetics of the Uncanny: Hoffmann’s ‘Sandman.’” In Scope of the Fantastic, ed. Robert A. Collins and Howard D. Pearce. Westport, Conn.: Greenwood Press, 1985. _____. “The Disenchanted Image: From Goethe’s Wilhelm Meister to Wenders’ Wrong Movement.” Literature/Film Quarterly 7, 3 (1979). _____. “Usage Patterns of French Suffixes in Middle High German.” Neuphilologische Mitteilungen 80, 3 (1979). _____, ed. and introd. Germanic Review 62, 3 (1987). Special issue on Women in Exile. _____. Introduction to Klaus Mann, The Turning Point: Thirty-five Years of This Century. New York: Markus Wiener Publishers, 1984. _____, trans. Einstein: A Biography, by Jürgen Neffe. New York: Farrar, Straus & Giroux, 2007. _____, trans. History of the Ottoman Empire, by Suraiya Faroqhi. Princeton: Markus Wiener Publishers, 2007. _____, trans. Time: A User’s Guide, by Stefan Klein. New York: Avalon, 2007. _____, trans. Kafka: The Defining Years, by Reiner Stach. New York: Harcourt, 2005. _____, trans. Zionism, by Michael Brenner. Princeton: Markus Wiener Publishers, 2003. ____, trans. Nietzsche: A Philosophical Biography, by Rüdiger Safranski. New York: W. W. Norton, 2001. _____, trans. Black Rebels, by Werner Zips. Kingston, Jamaica: Ian Randle Publishers, 1998. _____, trans. Colonialism: A Theoretical Overview, by Jürgen Osterhammel. Princeton: Markus Wiener Publishers, 1997. _____ and John Broadwin, trans. Eunuchs and Castrati, by Piotr Scholz. Princeton: Markus Wiener Publishers, 2000. _____, and Lenny Rubenstine. “What Film Can and Cannot Do in Society: An Interview with Wolfgang Kohlhaase.” Cineaste 13, 4 (1984). GEERTZ, HILDRED. The Life of a Balinese Temple: Artistry, Imagination, and History in a Peasant Village. Honolulu: University of Hawaii Press, 2004. _______. Images of Power: Balinese Paintings made for Gregory Bateson and Margaret Mead. Honolulu: University of Hawaii Press, 1994. _____. Indonesian Cultures and Communities. New Haven: HRAF Press, 1963. _____. The Javanese Family; A Study of Kinship and Socialization. New York: Free Press of Glencoe,1961. Reprinted Waveland Press, 1991. _____. “A Theatre of Cruelty: The Contexts of a Topéng Performance.” In State and Society in Bali: Historical, Textual and Anthropological Approaches, ed. Hildred Geertz. Leiden: KITLV Press, 1992. _____. “Introduction” to Balinese Masks, by Judy Slattum. San Francisco: Chronicle Press, 1992. _____. “The View From Within.” In Architecture as Symbol and Self-Identity, ed. Jonathan G. Katz. Proceedings of Seminar Four,The Aga Khan Award for Architecture. Philadelphia, 1980. _____. “A Statistical Profile of the Population of the Town of
Sefrou in 1960.” Appendix to Meaning and Order in Moroccan Society: Three Essays
in Cultural Analysis, by Clifford Geertz, Hildred Geertz and Lawrence _____. “The Meanings of Family Ties.” In Meaning and Order in Moroccan Society: Three Essays in Cultural Analysis, by Clifford Geertz, Hildred Geertz and Lawrence
Rosen. Cambridge: Cambridge University Press, 1979. _____. “Bali.” In Ethnic Groups of Insular Southeast Asia,
ed. Frank M. LeBar. New Haven: Human Relations Area Files Press, 1972. _____. “Latah in Java: A Theoretical Paradox.” Indonesia 5 (1968: 93-104. _____. “Comment” on “An Interpretation of Agricultural Rites in Southeast Asia,” by P. E. de Josselin de Jong. Journal of Asian Studies 24 (1965): 294-97. _____. “Kartini: An Introduction.” In Letters of a Javanese Princess, by Raden Adjeng Kartini. New York: W.W. Norton, 1964. _____. “Indonesian Cultures and Communities.” In Indonesia, ed. Ruth T. McVey. New Haven: Human Relations Area Files Press, 1963. Reprinted separately as HRAF Study Guide, 1965. _____. “The Balinese Village.” In Local, Ethnic, and National Loyalties in Village Indonesia: A Symposium, ed. G. William Skinner. New Haven: Yale University Cultural Report Series, 1959. _____. “The Vocabulary of Emotion: A Study of Javanese
Socialization Processes.” Psychiatry 22, 3 (1959): 225-37. Reprinted in Culture and Personality: Contemporary Readings,
ed. Robert A. LeVine. Chicago: Aldine, 1974.
_____. “Modified TATs of 33 Javanese Men and Women.” In Primary Records in Culture and Personality, ed. Bert Kaplan. Vol. 2. Madison, Wis.: Microcard Foundation, 1958 _____, ed. State and Society in Bali: Historical, Textual and Anthropological Approaches. Leiden: KITLV Press, 1992. _____, and Ida Bagus Madé Togog. Tales from a Charmed Life: A Balinese Painter Reminisces. Honolulu: University of Hawaii Press, 2005. _____, Clifford Geertz and Lawrence Rosen. Meaning and Order in Moroccan Society: Three Essays in Cultural Analysis. Cambridge: Cambridge University Press, 1979. _____, and Clifford Geertz. Kinship in Bali. Chicago: University of Chicago Press, 1975. _____, and Clifford Geertz. “Teknonymy in Bali: Parenthood, Age-Grading, and Genealogical Amnesia.” Journal of the Royal Anthropological Institute 94 (1964): 94-108. Reprinted in Marriage, Family and Residence, ed. Paul Bohannon and John Middleton. New York: Natural History Press, 1968. _____, and Michael Young. “Old Age in London and San Francisco: Some Families Compared.” British Journal of Sociology (June 1961): 124-41 _____, Walter B. Miller and Henry S. G. Cutter. “Aggression in a Boys’ Street-Corner Group.” Psychiatry 24, 4 (November 1961): 283-98. GOLDSTEIN, JOAN. Demanding Clean Food and Water: The Fight for a Basic Human Right. New York: Plenum Press, 1990. _____. The Politics of Offshore Oil. New York: Praeger, 1982. _____. Environmental Decision Making in Rural Locales: The Pine Barrens. New York: Praeger, 1981. GRABAR, TERRY, trans. Vermeer: Faith in Painting, by Daniel Arasse. Princeton: Princeton University Press, 1994.
_____. Feminine Rhetorical Culture: Tudor Adaptations of Ovid’s Heroides. New York: Peter Lang, 1988. _____. “Persuade Yourselves: Women, Speech, and Sexual Politics in Tudor Society.” Proteus 3, 2 (1986):42-48. GREIFF, CONSTANCE. Art Nouveau. New York: Abbeville, 1995. _____. Early Victorian. New York: Abbeville, 1995. _____. Independence: The Creation of a National Park. Philadelphia: University of Pennsylvania Press, 1987. _____. John Notman, Architect, 1810-1865. Philadelphia: Athenaeum of Philadelphia, 1979. _____, ed. Lost America: From the Atlantic to the Mississippi. Princeton: Pyne Press, 1971. _____, Charles E. Peterson, and Maria M. Thompson. Robert Smith: Architect, Builder, Patriot, 1722-1777. Philadelphia: Atheneum of Philadelphia, 2000. _____, and Alfred Hoyt Bill, in collaboration with Walter E. Edge. A House Called Morven: Its Role in American History. Rev. ed. Princeton: Princeton University Press, 1978. _____, Mary W. Gibbons, and Elizabeth G. C. Menzies. Princeton Architecture: A Pictorial History of Town and Campus. Princeton: Princeton University Press, 1967. HIRSCHMAN, SARAH, and María del Carmen Feijóo. Gente y cuentos: Educación popular y literatura. [People and Stories: Popular Education and Literature.] Buenos Aires, Argentina: Centro de Estudios de Estado y Sociedad, 1984. HOCKINGS, ERIC F. “Si Silicon.” Gmelin Handbook of Inorganic and Organometallic Chemistry. 8th ed. Supplement volume B5e. 1994. HOLT, LINDA BROWN. Viewing Meister Eckhart through the Bhagavad Gita. Drew University Print on Demand Books, 2004. HUGHES, WINIFRED. The Maniac in the Cellar: Sensation Novels of the 1860s. Princeton: Princeton University Press, 1980. _____. “Catherine Gore (1799/1800-1861).” Biographical entry for Oxford Dictionary of National Biography. Oxford: Oxford University Press, 2004. _____.“The Sensation Novel.” In A Companion to the Victorian Novel, ed. Patrick Brantlinger and William B. Thesing. Malden, Mass.: Blackwell, 2002. _____.“Elegies for the Regency: Catherine Gore’s Dandy Novels.” Nineteenth-Century Literature 50 (September 1995): 189-209. _____. “Silver Fork Writers and Readers: Social Contexts of a Best-Seller.” NOVEL: A Forum on Fiction 25 (Spring 1992): 328-347. HUTNER, FRANCES C[ORNWALL]. Equal Pay for Comparable Worth: The Working Woman’s Issue of the Eighties. New York: Praeger, 1986. _____, ed. Our Vision and Values: Women Shaping the 21st Century. Westport, Conn.: Praeger, 1994. HYATT, PATRICIA RUSCH. Coast to Coast with Alice. Minneapolis: Carolrhoda, 1995. HYMAN, SUZANNE K. “Contemporary Portraits of Byron.” In Lord Byron and His Contemporaries: Essays from the Sixth International Byron Seminar, ed. Charles E. Robinson. London and Toronto: Associated University Presses, 1982. KESWANI, PRISCILLA S. Mortuary Ritual and Society in Bronze Age Cyprus. Monographs in Mediterranean Archaeology 9. London: Equinox, 2004. _____. “Death, Prestige, and Copper in Bronze Age Cyprus.” American Journal of Archaeology 109 (2005): 341-401. _____. “Hierarchies, Heterarchies, and Urbanization Processes: The View from Bronze Age Cyprus.” Journal of Mediterranean Archaeology 9(1996): 211-249. _____. “The Social Context of Animal Husbandry in Early Agricultural Societies: Ethnographic Insights and an Archaeological Example from Cyprus.” Journal of Anthropological Archaeology 13 (1994): 255-277. _____. “Models of Local Exchange in Late Bronze Age Cyprus.” Bulletin of the American Schools of Oriental Research 292 (1993): 73-83. _____. “Gas Chromatography Analyses of Pithoi from Kalavasos- Ayios Dhimitrios.” In “Kalavasos- Ayios Dhimitrios 1991,” ed. A.K. South et al. Report of the Department of Antiquities of Cyprus (1992): 141-146. _____. “A Preliminary Investigation of Systems of Ceramic Production and Distribution in Cyprus during the Late Bronze Age."” In Cypriot Ceramics: Reading the Prehistoric Record, ed. J.A. Barlow, D.L. Bolger and B. Kling. Philadelphia: The University Museum of Archaeology and Anthropology, University of Pennsylvania. University Museum Monograph 74, 1991. _____. “Dimensions of Social Hierarchy in Late Bronze Age Cyprus: an Analysis of the Mortuary Data from Enkomi.” Journal of Mediterranean Archaeology 2 (1989): 49-86. _____, and A.B. Knapp. “Bronze Age Boundaries and Social Exchange in the Northern Troodos, Cyprus.” Oxford Journal of Archaeology 22 (2003): 213-223. KLINGHOFFER, JUDITH. Vietnam, Jews, and the Middle East: Unintended Consequences. Basingstoke, Hampshire: Macmillan; New York: St. Martin’s Press,1999. _____. The Citizen Planner: A History of the New Jersey Federation of Planning Officials. New Brunswick, N.J.: Center for Urban Policy Research, 1989. _____, and Arthur Jay Klinghoffer. International Citizens’ Tribunals: Mobilizing Public Opinion to Advance Human Rights. New York: Houndmills; Basingstoke, Hampshire: Palgrave, 2002. KLOTZBURGER, KATHERINE M. Women in Political Science: Studies and Reports. Washington, D.C., American Political Science Association, 1971. KRUMREY, DIANE. “Displacing the Nation: Contemporary Literature by and about Immigrants.” Anglophonia/Caliban 19 (2006): 243-252. _____. “Subverting the Tonto Stereotype in Popular Fiction, Or, Why Indians say ‘Ugh!.’” In Simulacrum America, ed. Elizabeth Kraus. Columbia, S.C.: Camden House, 2000. _____. “The Eloquent Savage in Early American Literature.” Ph.D. diss., University of Connecticut, 1995. LEWIS, MARY [ELIZA]BETH, ed. Drawings from Four Collections. Urbana: Krannert Art Museum, University of Illinois at Urbana-Champaign, 1973. _____, MARY E[LIZABETH] and Richard C. Trexler. “Two Captains and Three Kings: New Light on the Medici Chapel.” Studies in Medieval and Renaissance History 4 (1981): 91-177. Repr. in San Lorenzo, ed. William E. Wallace, vol. 3 in Michelangelo, Selected Scholarship in English. New York and London: Garland, 1995. LIVINGSTON, JAMES T. Caribbean Rhythms: The Emerging English Literature of the West Indies. New York: Washington Square Press, Simon & Schuster, 1974. _____.“Walcott’s Omeros.” Journal of Caribbean Studies 8, 3 (Winter 1991-Spring 1992). _____.“Catching Up with Derek Walcott: An Interview.” River Styx, No. 22. St. Louis: Big River Association, 1987. _____. “Derek Walcott: Poet of the New World.” In Centennial Essays. Springfield, Mo.: Drury College English Department, 1973. ______. “J. D. Salinger: The Artist’s Struggle to Stand on Holy Ground.” In Adversity and Grace. Studies in Recent American Literature, ed. Nathan A. Scott, Jr. Chicago: University of Chicago Press, [1968]. MARKS, PATRICIA H. Deconstructing Legitimacy: Viceroys, Merchants, and the Military in Late Colonial Peru. University Park, Penn.: The Pennsylvania State University Press, 2007. _____. “Confronting a Mercantile Elite: Bourbon Reformers and the Merchants of Lima, 1765–1796.” The Americas 60 (2004). _____, ed. Willard Thorp, Minor Myers, Jr., Jeremiah Stanton Finch, and James Axtell, The Princeton Graduate School: A History. 2nd ed. Princeton: Association of Princeton Graduate Alumni, 2000. _____, ed. Luminaries: Princeton Faculty Remembered. Princeton: Association of Princeton Graduate Alumni, 1996. _____, ed. Mark Argetsinger, Harmony Discovered: P. J. Conkwright in the Tradition of Classical Typography. Princeton: Princeton University Library, 1995. _____, and John L. Logan, eds. Wes Davis and J. Howard Woolmer, The Leonard L. Milberg Collection of Irish Poetry. Princeton: Princeton University Library, 1998. MARX, INA BROSSEAU and ALLEN MARX. Furniture Restoration. New York: Watson-Guptill Publications, 2007. _____ and ALLEN MARX. “Restoration of Damaged Verre Eglomise,” The Gilder’s Tip 21 (January 2007): 14-17. _____ and ALLEN MARX.“Frames: The Northern European Tradition.” The Gilder’s Tip 20 (January 2006): 10-13. _____, ALLEN MARX and Robert Marx. Professional Painted Finishes. New York: Watson-Guptill Publications, 1991. MCNEIL, DONALD. “Toroidal drift and heating of impurity ions.” Proceedings of the 33rd European Physical Society Conerence on Plasma Physics. Rome, June 2006. _____. “Minimum ignition energy for laser spark ignition.” Proceedings of the Combustion Institute (2005): 2913-2920 _____. “Thoughts on Edward Teller’s Memoirs.” Physics and Society (April 2003): 15-19.
_____. “Toroidal drift in closed magnetic configurations--a classical effect.” Europhysics Conference Abstracts 24F (2000): 50-151. _____. “Pyrolysis in tokamak plasmas.” Industrial Applications of Plasma Physics, SPP-13. Bologna: Editrice Compositori, SIF (1993): 483-488. MOKASHI, ASHWINI. “Sapiens and Sthitaprajna: A Comparative Study in Seneca and the Bhagvad-Gita.” Ph.D. diss., Pune University, 2003. MORGAN, ANN LEE. The Oxford Dictionary of American Art and Artists. New York: Oxford University Press, 2007. _____. Arthur Dove: Life and Work, with a Catalogue Raisonnée. Newark: University of Delaware Press; London: Associated University Presses, 1984. _____.“Prelude and Prologue: The Early Work of Arthur Dove.” In Arthur Dove and Helen Torr: The Huntington Years, ed. Anne Cohen DePietro. Huntington, N.Y.: Heckscher Museum, 1989. _____, ed. Dear Stieglitz, Dear Dove. Newark: University of Delaware Press; London: Associated University Presses, 1988. _____, ed. Contemporary Designers. Detroit: Gale Research, 1984. _____, and Colin Naylor, eds. Contemporary Architects. 2nd ed. Chicago and London: St. James Press, 1987. MULVIHILL, MAUREEN E. Ephelia. Aldershot, Hants, England: Ashgate, 2003. _____, Thumbprints of ‘Ephelia’: The End of an Enigma in Restoration Attribution. With a First Key to “Female Poems…by Ephelia” (London, 1679). _____, Poems by ‘Ephelia’ (circa 1679): The Premier Facsimile Edition of the Collected Manuscripts and Published Poems. Delmar, N.Y.: Scholars’ Facsimiles & Reprints, 1992. _____, “Wondrous Brooklyn: Caps Off to Jonathan Lethem.” Today In Literature, 16 May 2007. http://www.todayinliterature.com. _____, “Coole Lady: Lady Augusta Gregory, Coole Park, County Galway, Ireland,” 2005. www.yeatssociety.org/coole.html. On one-woman play by Sam McCready about Lady Augusta Gregory, co-founder & patron of Dublin’s Abbey Theatre. _____,. “Under the Hammer: The Brett-Smith Library Auction (Sotheby’s London, 24th May 2004).” Restoration (Autumn, 2004). _____, Three chapters (facsimiles & facing commentary) on ‘Ephelia’ and Mary Beale’s putative portrait of Aphra Behn. In Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, 1550-1700, ed. Helen Ostovich. Elizabeth Sauer. and Melissa Smith. London: Routledge.2004. Internet Resource. _____, “Butterfly in My Net: Literature, Lepidoptera, and the ‘Ephelia’ Poet.” Lepidoptera News (December 2000). http://www.troplep.org/ephelia1.htm. [More Multivihill citations to come.] O’BRIEN, ROSEMARY. “Varieties of Spiritual Experience: Women and Religion from the 1960s to the 1990s.” In Our Vision and Values: Women Shaping the 21st Century, ed. Frances C. Hutner. Westport, Conn.: Praeger, 1994. _____, ed. Gertrude Bell: The Arabian Diaries, 1913–1914. Syracuse, N.Y.: Syracuse University Press, 2000. ONYSHKEVYCH, LARISSA, ed. and comp. Blyzniata shche zustrinutsia: Antolohiia dramaturhii ukrainskoi diiaspory. [The Twins Shall Meet Again: An Anthology of Plays of the Ukrainian Diaspora] Kyiv; Lviv: Vyd-vo “Chas,” 1997. _____, ed. and comp. Pro ukrainskyi pravopys i problemy movy: Zbirnyk dopovidei movnoi sektsii 16-oi richnoi Konferentsii ukrainskoi problematyky, Urbana-Shampein, Ill.,20-25 chervnia 1997. [On Ukrainian Orthography and Problems of Linguistics. Proceedings of the 16th Conference on Ukrainian Studies at Urbana-Champaign, 1997] New York; Lviv: Nauk. T-vo im. Shevchenka, 1997. _____, ed. and comp. Lytsar neabsurdnykh idei: Borys Antonenko-Davydovych; zbirka spomyniv, lystiv, i malodostupnykh tvoriv. [Knight of Non-Absurdist Ideas: Borys Antonenko-Davydovych; Reminiscences, Letters and Inaccessible Literary Works] Kyiv: “Chas,” 1993. _____, ed. and comp. Kontrasty: Zbirka molodechoi tvorchosti (poeziia, proza, muzyka i hrafika). [Contrasts: A Collection of Poetry, Prose, Music and Graphics by Teenagers] New York: Hol. plastova bulava, 1970. OSBORN, SUSAN. Surviving the Wreck. New York: H. Holt, 1991. _____. “Reconsidering Elizabeth Bowen.” Modern Fiction Studies 52, 1 (2006): 187-197. _____. “‘Revision/Re-Vision’: A Feminist Writing Class.” Rhetoric Review 9. 2 (1991: 258-273. PECZENIK, FANNIE. “Comrades in Arms.” Jewish Currents 55, 5 (May 2001): 7-9. _____. “Encountering the Matriarchy: Kadye Molodowsky’s Women’s Songs.” Yiddish 7, 2-3 (1988). _____. “Fit Help: The Egalitarian Marriage in Paradise Lost.” Mosaic 17 (Winter 1984): 29-48. _____. Insufficient Data. Novel. iuniverse, 2000. _____. “Milton on the Creation of Eve.” In A Fine Tuning: Studies of the Religious Poetry of Herbert and Milton, ed. Mary A. Maleski. Binghampton, N.Y.: Medieval and Renaissance Texts and Studies, 1989. _____. “16 Ottobre 1943: History and Elegy.” Midstream 41, 3 (April 1995); 25-28. _____. “Strangers on a Train.” Jewish Currents 47, 3 (March 1993): 5-8. PISANO, MARIA. XYZ- Plainsboro, N.J.: Memory Press, 2001. _____. Promise. Plainsboro, N.J.: Memory Press, 2000. _____. Leafing the Past. Plainsboro, N.J.: Memory Press, 2000. _____. Freedom. Plainsboro, N.J.: Memory Press , 2000. _____. Snake. Plainsboro, N.J.: Memory Press, 1998. _____. Modus Vivendi. Plainsboro, N.J.: Memory Press, 1995. _____. Entangled. Philadelphia: Memory Press, 1994. _____. One in a Million: An Autobigraphy. Plainsboro, N.J.: Memory Press, 1994. POPOVA-WIGHTMAN, LUDMILLA, trans., with Elizabeth Anne Socolow. Blaga Dimitrova, Forbidden Sea: A Poem. Princeton: Ivy Press, 2000. _____, trans. and comp. Blaga Dimitrova, Scars: Poems by Blaga Dimitrova. Princeton: Ivy Press, 2002. _____, trans. Konstantin Pavlov, Capriccio for Goya. Princeton: Ivy Press, 2003. _____, trans. and comp. Konstantin Pavlov, Cry of a Former Dog: Poems of Konstantin Pavlov. Princeton: Ivy Press, 2000. _____, trans. and comp. Alexander Shurbanov, Frost-Flowers: Poems. Princeton: Ivy Press, 2002. _____, trans. and comp. Danila Stoianova, Memory of a Dream. Princeton: Ivy Press, 2003. REEDS, KAREN. A State of Health: New Jersey’s Medical Heritage. New Brunswick, N.J.: Rutgers University Press, 2001. _____. Botany in Medieval and Renaissance Universities. New York: Garland, 1991. _____. . “Unlocking the Virtual Stacks.” American Periodicals: A
Journal of History, Criticism, and Bibliography 17, 1 (2007): 121-23. _____, ed., with Jean A. Givens and Alain Touwaide. Visualizing Medieval Medicine and Natural History, 1200–1550. Aldershot, England; Burlington, Vt.: Ashgate, 2006. _____, commentator. Leonhart Fuchs, De historia stirpium commentarii insignes: Basel, 1542. Oakland, Calif.: Octavo, 2003. CD-ROM. REICH, M.H. “Émigrés and Students.” Princeton History 6 (1987): 7-18. _____. “The Mentor Connection.” Personnel 63, 2 (1986): 50-56. _____. “Executive Views from both Sides of Mentoring.” Personnel 62,3 (1985): 42-46. REICHART, SARAH B[ENNETT]. “Bach and the Dance.” Dance Chronicle 15, 3 (1992): 361-367. _____. “Dance Notes and Queries: Music for the Renaissance Allemande.” Dance Chronicle 8, 3-4 (1985): 211-218. _____. “The Influence of Eighteenth-Century Social Dance on the Viennese Classical Style.” Ph.D. diss., City University of New York, 1984. SCHULMAN, S[YDELL] RUTH. “Empowerment and Ordination: A Study of the First Class of Women Admitted to Rabbinical Training at the Jewish Theological Seminary.” Ed.D. diss., Rutgers University, 1992. SHANKLIN, EUGENIA. Anthropology and Race. Belmont, Calif.: Wadsworth, 1994. _____. Donegal’s Changing Traditions: An Ethnographic Study. New York: Gordon and Branch, 1985. _____, ed., with Riva Berleant-Schiller. Keeping of Animals: Adaptation and Social Relations in Livestock Producing Communities. Totowa, N.J.: Allanheld, Osmun, 1983. SOCOLOW, ELIZABETH. Between Silence and Praise. Princeton: Ragged Sky Press, 2006. _____. Laughing at Gravity: Conversations with Isaac Newton. Barnard New Women Poets Series. Boston: Beacon Press, 1988. _____. Five poems anthologized in Evensong: Contemporary American Poets on Spirituality, ed. Gerry LaFemina and Chad Prevost. Huron, Ohio: Bottom Dog Press, 2006. _____. Eight poems anthologized in Sensations Magazine 40 (2006). _____. “july 1969.” Contemporary Verse 2 [CV2] 28, 4 (2006). Winner of the 2005 poetry contest sponsored by this Canadian Journal of Poetry and Creative Writing, published quarterly in Winnepeg, Manitoba. _____. “Sweet Potatoes.” Short story. Alimentum 1,1 (2006). _____, trans., with Ludmilla Popova-Wightman. Blaga Dimitrova, Forbidden Sea: A Poem. Princeton: Ivy Press, 2000. TALLAU, ADELINE. “An Exploratory Comparison of Eight Collection Assessment Measures in a University Research Library.” Ph.D. diss., Rutgers, The State University of New Jersey, 1988. _____, and Benjamin R. Beede. “Faculty Status and Library Governance.” Library Journal 99 (1974): 1521-3 TREIMANN, JOAN LITTLE. “Cognitive Synthesis, Task Familiarity, and Achievement in Beginning Reading.” Ed.D. diss., Rutgers University, The State University of New Jersey, n.d. _____, and Jane Raph. Familiarity as a Factor in Cognitive Synthesis Tasks. Trenton, N.J.: New Jersey State Department of Education, 1974. UFFORD, LETITIA WHEELER. The Pasha: How Mehemet Ali Defied the West, 1839-1841. Jefferson, N.C.: McFarland, 2007. _____. “Millner Mission to Egypt, 1919-1921: The Search for a Cooperative Class.” Ph.D. diss., New York, Columbia University, 1977. _____. WITKIN, EVELYN M. “Perspectives: Remembering Rollin Hotchkiss (1911-2004).” Genetics 170 (2005): 1443. _____. “Chances and Choices: Cold Spring Harbor 1944-1955.” Annual Review of Microbiology 56 (2002): 1. _____. “The Wonders of Darwin’s World.” Perspectives in Biology and Medicine 40 (1997): 471-478.
|
|