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KLINGHOFFER, JUDITH. Vietnam, Jews, and the Middle East: Unintended Consequences. Basingstoke, Hampshire: Macmillan; New York: St. Martin’s Press,1999.
The Citizen Planner: A History of the New Jersey Federation of Planning Officials. New Brunswick, N.J.: Center for Urban Policy Research, 1989.
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KRUMREY, DIANE, and Jessica Datema, eds. Wretched Refuge: Immigrants and Itinerants in the Postmodern. Newcastle upon Tyne: Cambridge Scholars Printing, 2010.
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LEWIS, MARY [ELIZA]BETH, ed. Drawings from Four Collections. Urbana: Krannert Art Museum, University of Illinois at Urbana-Champaign, 1973.
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LIVINGSTON, JAMES T. Caribbean Rhythms: The Emerging English Literature of the West Indies. New York: Washington Square Press, Simon & Schuster, 1974.
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MARKS, PATRICIA H. Deconstructing Legitimacy: Viceroys, Merchants, and the Military in Late Colonial Peru. University Park, Penn.: The Pennsylvania State University Press, 2007.
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MARX, INA BROSSEAU and ALLEN MARX. Furniture Restoration. New York: Watson-Guptill Publications, 2007.
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MCNEILL, DONALD. “Impurity ion heating and drift velocity in the Al’fa experiment.” Problems of Atomic Science and Technology (2010), No. 6, Series: Plasma Physics (16), pp. 60-64.
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MCNICHOL, THERESA. “The Art Museum as Laboratory for Re-Imagining A Sustainable Future.” In Advances in Appreciative Inquiry- Positive Design and Appreciative Construction: From Sustainable Development to Sustainable Value, V. 3., eds. Tojo Thatchenkery, David Cooperrider, Michel Avital. UK: Emerald Publishers, 2010. ______. “Appreciative Inquiry Case Study: Executive MBA Candidates.” In The Sustainable Enterprise Fieldbook: When It All Comes Together, eds. Wirtenberg, J., D. Lipsky, & W. Russell. Sheffield, UK: Greenleaf Publishing and North American Publishers, American Management Association Publishing AMACOM, 2008. ______. “Inverting Western Business Models: Why Museum Practices Are Key to a New management Paradigm.” In New Roles and Missions of Museums. ICOM/INTERCOM Symposium. (2006). Taipei, Taiwan. Conference Proceedings. Accessed February 1, 2011: http://www.intercom.museum/documents/1-6McNichol.pdf ______. “Getting Started: Involving Your Community in Exhibit Planning.” Conference Paper presented at American Association of Museums Annual Conference. (2000). Paper posted August 2006. Accessed February 1, 2011:
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MISHKIN, NINA. “Falling Off the Roof,” The Iowa Review 44 (Spring 2014): 39-61.
MOKASHI, ASHWINI. “Sapiens and Sthitaprajna: A Comparative Study in Seneca and the Bhagvad-Gita.” Ph.D. diss., Pune University, 2003.
MORGAN, ANN LEE. The Oxford Dictionary of American Art and Artists. New York: Oxford University Press, 2007. _____. Arthur Dove: Life and Work, with a Catalogue Raisonnée. Newark: University of Delaware Press; London: Associated University Presses, 1984. _____.“Prelude and Prologue: The Early Work of Arthur Dove.” In Arthur Dove and Helen Torr: The Huntington Years, ed. Anne Cohen DePietro. Huntington, N.Y.: Heckscher Museum, 1989. _____, ed. Dear Stieglitz, Dear Dove. Newark: University of Delaware Press; London: Associated University Presses, 1988. _____, ed. Contemporary Designers. Detroit: Gale Research, 1984. _____, and Colin Naylor, eds. Contemporary Architects. 2nd ed. Chicago and London: St. James Press, 1987.
MULVIHILL, MAUREEN E. Ephelia. Aldershot, Hants, England: Ashgate, 2003. _____, Thumbprints of ‘Ephelia’: The End of an Enigma in Restoration Attribution. With a First Key to “Female Poems…by Ephelia” (London, 1679). http://www.millersville.edu/~resound/ephelia/. Peer-reviewed online monograph & multimedia archive. Millersburg, Penn.: ReSoundings, Dept of English, Millersville University. _____, Poems by ‘Ephelia’ (circa 1679): The Premier Facsimile Edition of the Collected Manuscripts and Published Poems. Delmar, N.Y.: Scholars’ Facsimiles & Reprints, 1992. _____, “Wondrous Brooklyn: Caps Off to Jonathan Lethem.” Today In Literature, 16 May 2007. http://www.todayinliterature.com. _____, “Coole Lady: Lady Augusta Gregory, Coole Park, County Galway, Ireland,” 2005. www.yeatssociety.org/coole.html. On one-woman play by Sam McCready about Lady Augusta Gregory, co-founder & patron of Dublin’s Abbey Theatre. _____,. “Under the Hammer: The Brett-Smith Library Auction (Sotheby’s London, 24th May 2004).” Restoration (Autumn, 2004). _____, Three chapters (facsimiles & facing commentary) on ‘Ephelia’ and Mary Beale’s putative portrait of Aphra Behn. In Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, 1550-1700, ed. Helen Ostovich. Elizabeth Sauer. and Melissa Smith. London: Routledge.2004. Internet Resource. _____, “Butterfly in My Net: Literature, Lepidoptera, and the ‘Ephelia’ Poet.” Lepidoptera News (December 2000). http://www.troplep.org/ephelia1.htm. [More Multivihill citations to come.]
O’BRIEN, ROSEMARY. “Varieties of Spiritual Experience: Women and Religion from the 1960s to the 1990s.” In Our Vision and Values: Women Shaping the 21st Century, ed. Frances C. Hutner. Westport, Conn.: Praeger, 1994. _____, ed. Gertrude Bell: The Arabian Diaries, 1913–1914. Syracuse, N.Y.: Syracuse University Press, 2000.
ONYSHKEVYCH, LARISSA. Tekst i Hra: Moderna Ukraïns’ka Drama [Text and Performance: Modern Ukrainian Drama]. Lviv: Litopys, 2009. _____, ed. with Maria Rewakowicz. Contemporary Ukraine on the Cultural Map of Europe. Armonk: M.E. Sharpe, 2009. _____, ed. and introd. Holodomor: Dvi p’iesy [Two Plays on the Holodomor/Famine]. Kyiv: Smoloskyp, 2008. _____.”Potriine ‘ia” Edwarda Albi: svitova prem’iera v Princeton, NJ. [World Premiere of Edward Albee’s Me, Myself and I], KinoTeatr 3, 77 (2008): 9-10. _____, Guest ed. Forum on: “Contemporary Ukrainian Literature and National Identity.” Slavic & East European Journa 50, 3 (2006). _____. “Cultural Perceptions, Mirror Images, and Western Identification in New Ukrainian Drama.” Slavic & East European Journal 50 (2006): 409-433. _____. “White Butterflies, Plaited Chains: A Live Metamorphosis by Theatre-in-a-Basket from Lviv, Ukraine,” Slavic & East European Performance 26, 1 (2006): 84-90. _____. Review article of Irena R. Makaryk: Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics. In Nationalities Papers 33, 2 (2005): 284-286. _____, ed. in chief et al. Volodymyr Vynnychenko: U poshukakh estetychnoï, osobystoï i suspil’noï harmoniï [Volodymyr Vynnychenko: In Search of Esthetic, Personal, and Social Harmony], New York: Ukrainian Free Academy of Sciences, 2005. _____.”Characters Revealing Issues of Identity: In Terms of History, Nation, Religion, and Gender in Post-Soviet Ukrainian Drama.” In Society in Transition: Social Change in Ukraine in Western Perspectives, ed. W. W. Isajiw. Toronto: Canadian Scholars’ Press, 2003, 327-345. _____. “The Holodomor of 1932-1933 as Presented in Drama and the Issue of Blame.” Canadian-American Slavic Studies 37 (2003): 89-96. _____.”Edward Albie v zhytti i na stseni” [Edward Albee in Life and on the Stage], Prostsenium 2,3 (2002): 32-34. _____.”The Problem of the Definitive Literary Text and Political Censorship,” in Perspectives on Modern Central and East European Literature: Quests for Idenity, ed. Todd Patrick Armstrong. Houndmills, G. Britain & New York: Palgrave, 2001, 25-37. _____, ed. Svity Shevchenka. v. 2. NY: Shevchenko Sci. Soc., 2001. _____. “Tradition and Innovation in Twentieth-Century Ukrainian Verse Drama,” Creating a Modern Ukrainian Cultural Space, ed. Myroslav Shkandrij. Edmonton: CIUS, 2000, 139-157. _____. “Exponents of Traditions and Innovations in Modern Ukrainian Drama,” Slavic and East European Journal 43, 1 (1999): 49-63. _____. “Is there a Corpus Thematics on the Ukrainian Revolution of 1917-1920 in Ukrainian Drama?” The Ukrainian Quarterly 54, 3-4 (1998): 239-309. _____, ed. and introd. Antolohiia modernoï ukraïnskoï dramy. [Anthology of Modern Ukrainian Drama]. v.1. Kyiv, Edmonton: Can. Inst. Ukr. Studies, 1998. _____, ed. and comp. Blyzniata shche zustrinutsia: Antolohiia dramaturhii ukrainskoi diiaspory. [The Twins Shall Meet Again: An Anthology of Plays of the Ukrainian Diaspora] Kyiv; Lviv: Vyd-vo “Chas,” 1997. _____, ed. and comp. Pro ukrainskyi pravopys i problemy movy: Zbirnyk dopovidei movnoi sektsii 16-oi richnoi Konferentsii ukrainskoi problematyky, Urbana-Shampein, Ill.,20-25 chervnia 1997. [On Ukrainian Orthography and Problems of Linguistics. Proceedings of the 16th Conference on Ukrainian Studies at Urbana-Champaign, 1997] New York; Lviv: Nauk. T-vo im. Shevchenka, 1997. _____, ed. and comp. Lytsar neabsurdnykh idei: Borys Antonenko-Davydovych; zbirka spomyniv, lystiv, i malodostupnykh tvoriv. [Knight of Non-Absurdist Ideas: Borys Antonenko-Davydovych; Reminiscences, Letters and Inaccessible Literary Works] Kyiv: “Chas,” 1993. _____, ed. and comp. Kontrasty: Zbirka molodechoi tvorchosti (poeziia, proza, muzyka i hrafika). [Contrasts: A Collection of Poetry, Prose, Music and Graphics by Teenagers] New York: Hol. plastova bulava, 1970.
PECZENIK, FANNIE. “Three Scenes from Italian Cafes.” In The Thinking Space: the Cafe as a Cultural Institution in Paris, Italy and Vienna, ed. Leona Rittner, W. Scott Haine, and Jeffrey H. Jackson. Farnham, Surrey: Ashgate, 2013). _____. “The Devil’s Party: Reading and Wreaking Vengeance in The Castle in the Forest,” Mailer Review 5 (Fall 2011): 304-317. _____. “Baggage Allowance: Triptych,” EAPSU Online: A Journal of Critical and Creative Work 7 (Fall 2010) http://www.eapsu.net/eapsu-online-archive.html “Comrades in Arms.” Jewish Currents 55, 5 (May 2001): 7-9. _____. “Encountering the Matriarchy: Kadye Molodowsky’s Women’s Songs.” Yiddish 7, 2-3 (1988). _____. “Fit Help: The Egalitarian Marriage in Paradise Lost.” Mosaic 17 (Winter 1984): 29-48. _____. Insufficient Data. Novel. iuniverse, 2000. _____. “Milton on the Creation of Eve.” In A Fine Tuning: Studies of the Religious Poetry of Herbert and Milton, ed. Mary A. Maleski. Binghampton, N.Y.: Medieval and Renaissance Texts and Studies, 1989. _____. “16 Ottobre 1943: History and Elegy.” Midstream 41, 3 (April 1995); 25-28. _____. “Strangers on a Train.” Jewish Currents 47, 3 (March 1993): 5-8. _____. “Fulica americana and Me,” Bird Watcher’s Digest, January/February, 2008. _____. “Second Choice/Second Chance,” I Love Cats, November/December, 2005
POPOVA-WIGHTMAN, LUDMILLA, trans., with Elizabeth Anne Socolow. Blaga Dimitrova, Forbidden Sea: A Poem. Princeton: Ivy Press, 2000. _____, trans. and comp. Blaga Dimitrova, Scars: Poems by Blaga Dimitrova. Princeton: Ivy Press, 2002. _____, trans. Konstantin Pavlov, Capriccio for Goya. Princeton: Ivy Press, 2003. _____, trans. and comp. Konstantin Pavlov, Cry of a Former Dog: Poems of Konstantin Pavlov. Princeton: Ivy Press, 2000. _____, trans. and comp. Alexander Shurbanov, Frost-Flowers: Poems. Princeton: Ivy Press, 2002.